30.6.13
Salinger - Official Trailer - Weinstein Company
Salinger features interviews with 150 subjects including Salinger's friends, colleagues,
and members of his inner circle who have never spoken on the record before
as well as film footage, photographs and other material that has never been seen.
Additionally, Philip Seymour Hoffman, Edward Norton, John Cusack, Danny DeVito,
John Guare, Martin Sheen, David Milch, Robert Towne, Tom Wolfe, E.L. Doctorow,
Gore Vidal and Pulitzer Prize winners A. Scott Berg and Elizabeth Frank talk about
Salinger's influence on their lives, their work and the broader culture.
The film is the first work to get beyond the Catcher in the Rye author's
meticulously built up wall: his childhood, painstaking work methods,
marriages, private world and the secrets
he left behind after his death in 2010.
In select theaters September 6th, 2013.
David Lynch & Lykke Li : I'm Waiting Here
The Big Dream the new album from David Lynch will be released on 15 July (UK & Europe)
and 16 July (USA & CAN).
Pre-order your copy from iTunes: http://smarturl.it/8nyamg
and receive "I'm Waiting Here" by David Lynch and Lykke Li
as an instant download!
Concept by Lykke Li & Daniel Desure
Edited by Jesse Fleming & Sadie Strangio
DP - Nicholas Trikonis
Designer - Michelle Park.
http://www.davidlynch.com
http://www.facebook.com/davidlynchofficial
http://www.twitter.com/DAVID_LYNCH
Jeremy Scahill Talks About What Sparked his Film 'Dirty Wars'
Jeremy Scahill is the National Security Correspondent for The Nation
and a New York Times bestselling author.
His second book, "Dirty Wars" was recently the basis of a film by the same name.
Scahill told 10,000 words contributor Mona Zhang the story behind his first book
about Blackwater and how an investigation into a night raid
by US Joint Special Operations Command became
the driving force behind the film "Dirty Wars."
Jeremy Scahill : 'No One's an Objective Journalist'
Jeremy Scahill, National Security Correspondent for "The Nation" and "New York Times"
bestselling author, recently sat down with 10,000 words contributor Mona Zhang
to talk about his new film "Dirty Wars," which is based on the book of the same name.
Scahill tells mediabistroTV about what he sees as a war on journalists in the US
and whether he thinks anyone can be an objective journalist.
In Part II Wednesday, Scahill talks about the gruesome incident
that drove the making of the "Dirty Wars" film
Kickstopper : A Campaign to Kill Your Kickstarter
From Zach Braff to James Franco, everyone is trying to fund their terrible Kickstarter projects.
Here's a way to help kill the worst of them.
Featuring Josh Sharp, Natasha Vaynblat, Avery Monsen, and Dan Hodapp
Director of Photography - Kevin Mead
Subscribe to Official Comedy for free at: http://goo.gl/mf8J5
Like us on Facebook: https://www.facebook.com/OfficialComedy
Follow us on Twitter: https://twitter.com/#!/OfficialComedy
Follow our Tumblr: http://officialcomedy.tumblr.com/
Jeremy Scahill on Getting His First Advance
Unless you are one of the very lucky few who win the book deal lottery, a book advance
won't change your life. In a recent Media Beat interview, The Nation's national security
correspondent and a New York Times bestselling author Jeremy Scahill broke down
how quickly a book advance can disappear - even before taxes.
Most recently, Scahill wrote Dirty Wars: The World Is a Battlefield for Nation Books.
won't change your life. In a recent Media Beat interview, The Nation's national security
correspondent and a New York Times bestselling author Jeremy Scahill broke down
how quickly a book advance can disappear - even before taxes.
Most recently, Scahill wrote Dirty Wars: The World Is a Battlefield for Nation Books.
26.6.13
24.6.13
23.6.13
Depeche Mode - Enjoy The Silence (cover version) | from Kristof Luyckx | via #Vimeo
Depeche Mode - Enjoy The Silence (cover version)
from Kristof Luyckx
on Vimeo.
Cover of 'Enjoy The Silence' by Depeche Mode.
Directed, designed and animated by Kristof Luyckx
(no)where(now)here : 2 gaze-activated dresses by ying gao | via #Vimeo
(no)where(now)here : 2 gaze-activated dresses by ying gao
from ying gao
on Vimeo.
The series comprising two dresses, made of photoluminescent thread
and imbedded eye tracking technology, is activated by spectators' gaze.
A photograph is said to be “spoiled” by blinking eyes – here however,
the concept of presence and of disappearance are questioned,
as the experience of chiaroscuro (clarity/obscurity) is achieved
through an unfixed gaze.
fashion designer : ying gao
robotics designer : simon laroche
assistants : andrée-anne bédard, marie-ève lecavalier, marye roy
interns : sandrine geoffrion, helena brohm.
video : curious montreal
music : gymnopédie no. 1 - Erik Satie
models : folio
hair makeup : emilie filteau
shoes : jerome c. rousseau
21.6.13
18.6.13
The World is Young | from Theo Rigby | via #Vimeo
The World is Young
from Theo Rigby
on Vimeo.
From the horrors of war to the complexities of childhood, Wayne Miller has captured
intimate moments of life on film for over 50 years.
16.6.13
Transposition (2013) | from Cristobal Mendoza | via #Vimeo
Transposition (2013)
from Cristobal Mendoza
on Vimeo.
On View.
Denver Art Museum, Denver, CO.
May - September, 2013.
Further Reading at The Creators Project
Mosteiro de Santa Clara | from Daniel Silva | via #Vimeo
Mosteiro de Santa Clara
from Daniel Silva
on Vimeo.
The Monastery of Santa Clara is located in Vila do Conde, Portugal.
It was founded in 1318 and it is abandoned since 2008.
6.6.13
4.6.13
Creating The Microscopic Art Of Jon Hopkins' Immunity
Stunning time-lapse photography of crystal growth and chemical reactions form
the visual experience for Jon Hopkins' new album Immunity.
Learn how the organic collaboration came together with art director Craig Ward
and biochemist turned artist Linden Gledhill in the behind-the-scenes video above.
Jon Hopkins:
http://www.jonhopkins.co.uk/
Facebook: http://fb.com/thecreatorsproject
Twitter: http://twitter.com/creatorsproject
Tumblr: http://thecreatorsproject.tumblr.com/
3.6.13
CV Dazzle vs PhotoTagger | from Adam Harvey | via #Vimeo
CV Dazzle vs PhotoTagger
from Adam Harvey
on Vimeo.
CV Dazzle is camouflage from face detection.
It’s based on the original Dazzle camo from WWI
and targets automated face detection and recognition systems
by altering the contrast and spatial relationship of key facial features.
For more info, http://cvdazzle.com
Mall of America Rebrand | from Duffy & Partners | via #Vimeo
Mall of America Rebrand
from Duffy & Partners
on Vimeo.
Animation of the dynamic identity system for Mall of America.
Design by: Duffy & Partners
Animation by: eg design
2.6.13
1.6.13
Samuel Beckett, The Unnamable [extract] : read by Sean Barrett
Samuel Beckett, The Unnamable
[Extract] read by Sean Barrett
"Where now? Who now? When now? Unquestioning. I, say I. Unbelieving.
Questions, hypotheses, call them that. Keep going, going on, call that going,
call that on. Can it be that one day, off it goes on, that one day I simply stayed in,
in where, instead of going out, in the old way, out to spend day and night
as far away as possible, it wasn't far. Perhaps that is how it began. You think
you are simply resting, the better to act when the time comes, or for no reason,
and you soon find yourself powerless ever to do anything again. No matter how
it happened. It, say it, not knowing what. Perhaps I simply assented at last
to an old thing. But I did nothing. I seem to speak, it is not I, about me,
it is not about me. These few general remarks to begin with. What am I to do,
what shall I do, what should I do, in my situation, how proceed? By aporia
pure and simple? Or by affirmations and negations invalidated as uttered,
or sooner or later? Generally speaking. There must be other shifts. Otherwise
it would be quite hopeless. But it is quite hopeless. I should mention before
going any further, any further on, that I say aporia without knowing what it means.
Can one be ephectic otherwise than unawares? I don't know. With the yesses
and noes it is different, they will come back to me as I go along and how,
like a bird, to shit on them all without exception. The fact would seem to be,
if in my situation one may speak of facts, not only that I shall have to speak
of things of which I cannot speak, but also, which is even more interesting,
but also that I, which is if possible even more interesting, that I shall have to,
I forget, no matter. And at the same time I am obliged to speak. I shall never
be silent. Never.
I shall not be alone, in the beginning. I am of course alone. Alone. That is soon said.
Things have to be soon said. And how can one be sure, in such darkness?
I shall have company. In the beginning. A few puppets. Then I'll scatter them,
to the winds, if I can. And things, what is the correct attitude to adopt towards things?
And, to begin with, are they necessary? What a question. But I have few illusions,
things are to be expected. The best is not to decide anything, in this connection,
in advance. If a thing turns up, for some reason or another, take it into consideration.
Where there are people, it is said, there are things. Does this mean that when you
admit the former you must also admit the latter? Time will tell. The thing to avoid,
I don't know why, is the spirit of system. People with things, people without things,
things without people, what does it matter, I flatter myself it will not take me long
to scatter them, whenever I choose, to the winds. I don't see how. The best would be
not to begin. But I have to begin. That is to say I have to go on. Perhaps in the end
I shall smother in a throng. Incessant coming and goings, the crush and bustle
of a bargain sale. No, no danger. Of that."
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