Literature . Poetry . Theatre . Philosophy . Humanities . Film . Art . Design . Social Media
31.3.13
Reflections on the Japanese Tsunami, Two Years Later | #GretelEhrlich | #PBSNewsHour | via #YouTube
Poet and writer Gretel Ehrlich shares her reflections on the devastating earthquake and tsunami that hit Japan in 2011. She traveled to Japan after the natural disasters to document the physical and emotional aftermath. Ehrlich is best know for her nature and travel writing and has authored 13 books, including three of poetry.
29.3.13
28.3.13
27.3.13
26.3.13
25.3.13
Gravity Stool | from Miranda Stet | via #vimeo
Gravity Stool from Miranda Stet on Vimeo.
In dialogue with a natural phenomenon,
by Jólan van der Wiel
The Gravity Stool thanks its unique shape to the cooperation between magnetic fields and the power of gravity.
Departing from the idea that everything is influenced by gravitation, a force that has a strongly shaping effect, Jólan intended to manipulate this natural phenomenon by exploiting its own power: magnetism. The positioning of the magnetic fields in the machine, opposing each other, has largely determined the final shape of the Gravity Stool.
It is the combination of the magnet machine with the plastic material, developed especially for this purpose, that enabled Jólan to start a small but efficient chain of production. The forms and products are characterized by the freakisch and organic shapes that are so typical of nature itself.
http://jolanvanderwiel.nl/
director: Miranda Stet
production: Miranda Stet, Pieter Kamp, Peter Lipton
editing: Miranda Stet, Pieter Kamp
20.3.13
19.3.13
18.3.13
#Photo of the Day from #NationalGeographic by maditabalnco | via #slideshare
#Photographer #SteveMcCurry Galleries : Angkor Wat by guimera | via #slideshare
TAKE MY PICTURE from #GARAGEMagazine | via #Vimeo
TAKE MY PICTURE from GARAGE Magazine on Vimeo.
When we set out to make this short, our intention simply was to observe the phenomenon of fashion bloggers and street style stars. As we started to review the footage, two salient trends became apparent: fashion editors frustrated by the ensuing commotion outside of shows, and the rise of "peacocking" street style stars as a result of the proliferation of blogs. This film examines these themes from both perspectives.
12.3.13
11.3.13
9.3.13
Follow Me - Photographer #MuradOsmann by maditabalnco | via #slideshare
8.3.13
Street #Photography - by #RuiPalha by maditabalnco | via #slideshare
7.3.13
#JamesFranco on The Colbert Report | via #ComedyCentral
6.3.13
DRM CHAIR from Thibault Brevet | via #Vimeo
DRM CHAIR from Thibault Brevet on Vimeo.
The DRM Chair has only a limited number of use before it self-destructs. The number of use was set to 8, so everyone could sit down and enjoy a single time the chair.
A small sensor detects when someone sits and decrements a counter. Every time someone sits up, the chair knocks a number of time to signal how many uses are left. When reaching zero, the self-destruct system is turned on and the structural joints of the chair are melted.
This was a 48h-long project, from concept to final video shooting.
This is our final entry for www.thedeconstruction.org.
Made by Thibault Brevet in collaboration with Gianfranco Baechtold, Laurent Beirnaert, Pierre Bouvier, Raphaël Constantin, Lionel Dalmazzini, Edina Desboeufs, Arthur Desmet and Thomas Grogan.
The Armory Show 2013 Liz Magic Laser Artist Commision from The Armory Show | via #Vimeo
The Armory Show 2013 Liz Magic Laser Artist Commision from The Armory Show on Vimeo.
"The Armory Show Focus Group" (official trailer), 2013, Liz Magic Laser, an Armory Show Commission produced in association David Guinan of Polemic Media. Featuring focus group moderator Ben Allen of Labrador Agency.
In August of 2012, The Armory Show invited Laser to serve as its commissioned artist. She accepted in October, agreeing to produce limited-edition artworks and to shape the visual identity of the fair through VIP cards, invitations, signage, Jack Spade tote bags, and employee T-shirts. A performance artist confronted with the challenge of producing marketable objects, large in number and scope, Laser enlisted the help of market research analyst Ben Allen of Labrador Agency to conduct a series of focus groups with art consumers. She had The Armory Show invite members of the arts community—a range of collectors, curators, museum professionals, art advisors and critics—to participate in group discussions that would ultimately determine how she would lend her identity to The Armory Show.
Laser conducted a series of six focus groups, each consisting of ten participants and lasting two hours. The first sessions in early November, 2012 were devoted to “exploratory” market research in which participants were asked to characterize The Armory Show’s current status and the critical value of Laser’s work. They were then prompted to suggest how she might apply her artistic strategies most effectively to the fair. Based on feedback from the first sessions, Laser developed prototypes of art editions and visual motifs, which were “taste- tested” by later groups that convened in late November for what the artist deemed the “validation and refinement phase.” Laser’s video, The Armory Show Focus Group (2013), assembles the most useful viewpoints, culled from over twelve hours of focus group discussion footage.
CREDITS:
The Armory Show Focus Group
Created by Liz Magic Laser
An Armory Show Commission
Featuring Ben Allen, Labrador Agency
Produced in association David Guinan, Polemic Media
Lew Baldwin, Editor
Geoffrey Hug, Videographer
Matthew Kessler, Videographer
Danilo Parra, Videographer
Brian Mcelroy, Production Coordinator
Reed Seifer, Graphic Designer
Nontsikelelo Mutiti, Post-production Graphic Designer
Michael Romeo, Sound Editor
Special thanks to Michelle Darnell, Michael Hall, Noah Horowitz, Winnie JieLin Hu, Manuela Paz, Allison Rodman and Esther Kim Varet
Produced with support from Various Small Fires, Los Angeles
© LIZ MAGIC LASER 2012
International Women's Day March 8 by maditabalnco | via #slideshare
5.3.13
Colm Wilkinson : Bring Him Home : Les Misérables
Colm Wilkinson (Valjean)
Conductor : David Charles Abell
Orchestra : Royal Philharmonic Orchestra